Sunday, November 24, 2013

A Review of Zac Brown Band's 'Uncaged"


I am sure many of you are wondering why I am reviewing Zac Brown Band’s Uncaged seeing as how it debuted on July 6, 2012 and is now more than a year old. There are several reasons as to why I am choosing to review an older album. One is that singles from this album are still being released and are on current country radio. “Jump Right In” was one of the most popular songs of the summer and “Sweet Annie”, the most recent single, is getting a lot of radio play and gaining popularity on the iTunes “Top Singles” chart. Reason two is that despite being over a year old, Uncaged still in the top 10 country albums on iTunes. So clearly, this is a noteworthy album that deserves my attention.

Photo courtesy of Country Countdown USA

            Uncaged is titled perfectly because the music styles on this album are just that. Not confined purely to country music, the influences range from bluegrass to reggae to R&B. While this diversity may thrill some fans, it left me scratching my head, confused. Zac Brown is notorious for giving other artists a hard time about being too mainstream and not country enough, and for disliking yuppie (mainstream) fans. So why then, I wonder, did he create an album like this when he could have just as easily created a purely country album. Now, I would never dare to call Mr. Brown a hypocrite, but I do believe that he should worry more about his own music than he does about others’. Uncaged is a good album, but it is far from perfect. There is no flow to it, the song styles change so rapidly that one minute you’re listening to a country/blue grass tune, and the next there’s a reggae song bumping through your speakers. The only reason that this album does not sound like a careless, disjointed mess is because the men in the Zac Brown Band are so incredibly talented. “Sweet Annie”, “Goodbye In Her Eyes” and “Natural Disaster” are some of the best work that ZBB has ever done. ZBB’s raw and chilling harmonies are outstanding on these tracks and make you wonder why they would even bother producing tunes such as “Island Song” and “Overnight”.


Photo courtesy of Yahoo! Music

            When the Zac Brown Band does what they do best, they are flawless. But when they stray away from that, their songs are underwhelming and verge on awkward because it is obvious that they are beyond their comfort zone. The following is a song-by-song review of Zac Brown Band’s latest album Uncaged:

1)    Jump Right in
“You can find me where the music meets the ocean”
This could easily be considered the country song of the summer. It was the perfect song to listen to for a day at the beach or out on the water. It’s a fun song that is very reminiscent of Jimmy Buffet and Kenny Chesney. “Jump Right In” is very similar to previous ZBB songs in theme and style, specifically “Toes” and “Where The Boat Leaves From”.

2)    Uncaged
“Gonna take every chance Im given. Feel the wind through the open plains. Freedom is a gift get living”
The second song on the album is outstanding. It sounds like Zac Brown Band 2.0, a more mature, edgier ZBB than we’ve heard before. I am in such awe of how amazing this song sounds that I haven’t even fully appreciated the lyrics yet. ZBB’s outstanding harmonies are fully present and combine flawlessly with the guitar, fiddle and drums melody. There is a definite jam rock influence in this song and it sound similar to something Dave Matthews Band would produce, but with much clearer vocals.

3)    Goodbye In Her Eyes
“She didn't have to say a word, it was just so plain to see. She had found what she'd been looking for and I knew it wasn't me”
This song is classic Zac Brown Band: slower paced, with guitar/drums melody and impeccable harmonies. Zac has the ability to put such emotion into a song without sounding as though he’s over singing. “Goodbye” is a very intimate and personal ballad; you can almost hear Zac’s heartbreaking through your speakers.

4)    The Wind
“When I passed you on the street that day should've let that red scarf fly away, like any chance I had of keeping you”
“The Wind” is a down-home, knee-slappin’, chicken-fried, country song. There is a discernable blue grass influence in the fiddle and drum beat. This song is like the wind, it whips through your speakers so quickly that it’s over before you’ve even realized it has begun.

5)    Island Song
“Then I'mma roll one up like my name is Bob. Yeah I'm gonna party like I'm a Jamaican”
This reggae song has absolutely no place on this album. While I’m convinced that Zac Brown could sing the phone book and make it interesting, I am even more certain that he is no Bob Marley and should steer clear of reggae in the future. Compared to the effortless and natural sound of “Uncaged” and “Goodbye”, this song is trying way too hard. It’s a lazy man’s version of “Jump Right In” and doesn’t have the same infectious and fun quality that that song possessed. After listening to “The Wind” this song is a startling and unsettling change of pace. While Jimmy Buffet may be able to pull this song off, it sounds out of place and strange on a ZBB album.

6)    Sweet Annie
“But one day lightning will strike and my bark will lose its bite. Don’t’ give up on me, sweet Annie.”
Thankfully, the Zac Brown Band gets Uncaged back on track with this song. The harmonies are stunning and when combined with the guitar, drums, fiddle and organ it makes for an outstanding tune. “Sweet Annie” is a raw, natural and beautiful song, reminiscent of something that Little Big Town would produce.

7)    Natural Disaster
“She's like rain when she rolls in, but that sunshine in her thunder makes the loneliest heart wonder if the ride is worth the pain”
This song is the Zac Brown Band at their finest. The opening harmonies and the sections of the song where it is mostly vocals with light accompaniment are exceptional and leave me with chills. “Natural Disaster” is potentially one of the best Zac Brown Band songs ever. It is recognizably them, but has a unique quality about it that is unlike anything else that we’ve ever heard off of their records. This song perfectly captures what it is like to love a vivacious and lively woman, and makes women everywhere want to be their man’s “natural disaster”. My only issue with this song is that it is not long enough, and feels as if it is over before it has even begun.

8)    Overnight feat. Trombone Shorty
“First I'm gonna search your body over, I gotta make sure you ain't hidin nothin nowhere. Ain't no time for talking show me what you got”
As coincidence would have it, my least favorite song follows my favorite song on the album. Just as with “Island Song”, this song is unnatural. If Zac Brown is no Bob Marley, than he certainly is no Barry White. I find this song extremely uncomfortable to listen, particularly because it is very hard to picture Zac Brown in his knit beanie hat singing this song and putting the smooth moves on the ladies. While Zac’s voice is undeniably smooth and could fit in the R&B world, this song does not fit in the Zac Brown Band world. In fact, Uncaged would not be lacking anything if “Overnight” were to have not been on it. However, I do enjoy the jazz influence and think that if it had been incorporated in a different way on a different track, there could have been an amazing result.

9)    Lance’s Song
“Another night of playing to a crowd with no ears. Wanna hear the songs they know and fill their bellies full of beer”
This song is a touching tribute to Lance Tilton. The combination of the fiddle and guitar create a stunning melody and give the song an undeniable country feel. Not only is this song a tribute to one of the band’s friends, but I also think it is a reflection of how Zac feels about his career as well. “Lance’s Song” is not over done or overly sentimental. It is a relatively simple song with just enough ZBB flair to make it distinct.

10) Day That I Die feat. Amos Lee
“I wanna say that I, was a man who really lived and never compromised. And when I've lived out my days, until the very end, I hope they find me in my home, a guitar in my hands.”
This is a fairly simple song with a beautiful meaning. It is about living your dream and never compromising your principles for others. Amos Lee’s voice melds nicely with the Zac Brown Band and adds a nice spice to the song. This is one of the few ZBB songs where the lyrics are really the central component, and not the harmonies or the superb instrumentals.

11) Last But Not Least
“Everyone I love the most has to take what's left of me. I put it all together but I left out one big piece. I put you last, but you're not least”
We can all appreciate the ingeniousness of putting this title as the last (but not least) of the album. This song is reminiscent of classic, older country. The guitar and drum melody sound like something that George Strait would have in one of his songs. It is also nice to hear another voice, other than Zac’s, highlighted in a song. It mixes things up nicely and prevents this song from sounding too much like their other stuff. “Last But Not Least” is another personal song about the struggles to put loved ones first in life and not take them for granted. This sentiment is something that many can relate to, as too often we let our careers and busy lives get ahead of what’s truly important.

Photo courtesy of Peoria Civic Center

The Zac Brown Band finds a way to incorporate their outstanding harmonies and unique flavor into almost every one of their songs. Hopefully they will stick with what they are good at and leave the reggae and R&B to the professionals. Despite these shortcomings, it is their undeniable talent that shines through most on every track. Overall, Uncaged is another solid album from this southern-rock-country band of brothers. 

Monday, November 18, 2013

A Review of Kacey Musgraves' "Same Trailer Different Park"


Photo courtesy of Americansongwriter.com

With 6 CMA nominations and the award for “New Artist of the Year”, Kacey Musgraves has established her place as country music’s newest “It” girl. The 25-year-old singer-songwriter could have entered into the country music scene much sooner than she did. Her stint on Nashville Star gained her some recognition, and brought her to Nashville where she actively pursued a songwriting career. When asked why she didn’t immediately dive into recording deals with well known producers, Musgraves replied “If you only get one shot to say something, it better be exactly what you want to say”. Musgraves knew that she had important things to say, but wanted to have a clear vision of who she was as an artist before the music industry tried to change her.
As this decision reflects, Musgraves is wise beyond her years. Her maturity is made evident in her music. While Musgraves has a clear, unaffected and sweet voice it is nothing outstanding, nor are her melodies. What separate her from the rest of country music are her eloquent and poignant lyrics. Every line in her song is artfully constructed and not a single word is chosen carelessly. She uses word play, metaphors and irony to engage her listeners and keep them coming back for more.
It is tempting to compare Musgraves to Taylor Swift with their similar ages and flawless songwriting, but the two have very different music styles. Where Swift has pop-influences and powerful melodies, Musgraves is undeniably country and has simpler melodies, which allow for her outstanding lyrics to take center stage. Her style is comparable to that of a modern Dolly Parton or Loretta Lynn. In Musgraves’ debut album Same Trailer Different Park the songs are on the slower side with uncomplicated, laid back melodies. If you are looking for an up beat, feel good album this one is not for you. It is much more melancholy and centers around themes such as heartbreak, and the realities of everyday life. If someone less talented and less mature than she attempted to write the same songs they would easily fall into the cutesy/juvenile junk pile. But it is the maturity and honesty within her songs that causes them to resonate so strongly with listeners. Kacey Musgraves has an extraordinary way with words, which allows for her unique talent to stand apart from an industry where so many songs sound exactly the same. 

photo courtesy of seatgeek.com

The following is a song-by-song review of Kacey Musgraves debut album Same Trailer Different Park, which was released March 19th of this year:

1)    Silver Lining
“If you wanna fill your bottle up with lightning, you’re gonna have to stand in the rain”
This song sets the tone for the rest of the record perfectly. The melody is simple and while the song is not a ballad it is slow moving. “Silver Lining” is an easy and natural fit with Musgraves’ unaffected and pure voice. This song is our first indication of Musgraves’ affinity for songwriting and is filled with clever metaphors. The meaning behind the song is an important lesson for everyone to understand: in order to enjoy the good times you have to battle through the bad.

2)    My House
“So come on hitch your wagon to the living room I'm draggin'. If I can't bring you to my house I'll bring my house to you”
From the first measure of harmonica, guitar and tambourine it is clear that this song is country. It is a light-hearted song, centering on the idea that if home is where the heart is, it doesn’t matter if that house is high on a hill or on four wheels. If the lyrics weren’t so clever and well done, the song could risk being too cutesy. But Musgraves’ words paint a fun picture, which might change many listeners’ minds about the stigma of living in a mobile home.

3)    Merry Go ‘Round
“Mary, Mary, quite contrary. We're so bored until we're buried. Just like dust, we settle in this town.”
This is the song that introduced us to Kacey Musgraves. After listening to her album it is clear why it was chosen as the debut song. It is a great representation of Musgraves as an artist and of her talent. There is less word play and clever lyrics in this song when it is compared with her other songs. But her ingenious twist on a well-known nursery rhyme is enough to hook the listener. Once again this song has a very simple melody and is by no means fast paced, allowing for us to drink in every word and soak up the full meaning of the incredibly poignant song. It is an honest commentary on the complexities of life.

4)    Dandelion
“And like a stupid little girl, I spent my wishes on a weed thinking it could change my world”
This song is an interesting take on the common practice of wishing on inanimate objects. She is disappointed in the dandelion because her wish hadn’t come true. It is never outwardly stated what the wish was, only that it has left her crying like “he did”. It is a melancholy song whose melody is so simple and pretty is sounds as if it has been taken from a music box. While, once again, Musgraves’ lyrics are impressive this is my least favorite song on her album. The dragged out “dan-de-lion” of the chorus is off-putting and seems forced.

5)    Blowin’ Smoke
“Light one up and count my cash. Swear I'm never coming back again, I'm just blowin' smoke”
If “Tough Girl” country isn’t a subgenre of country music, it should be. There are a growing number of songs about women who take no crap, and refuse to get run over by men and jobs. This song would definitely classify as “tough girl” country and sounds similar to songs from Miranda Lambert and the Pistol Annies. It is a working girl’s anthem with a simple but gritty and infectious melody. Once again Musgraves uses a play on words. “Blowin’ smoke” has two meanings. It refers to literally exhaling cigarette smoke, and figuratively refers to lying. The breakdown at the bridge is the best part of the song and gives it its anthem-like feel. “Blowin’ Smoke” is different from anything that Musgraves has done up to this point.

6)    I Miss You
“Been kissed by Lady Luck, the stars are all lined up, every arrow that I aim is true but I miss you.”
The sixth track on the album has a dream like quality and sounds like a countrified Beach Boys song. It has a sweet sadness and is in keeping with the honest and melancholy theme of Same Trailer Different Park. This song focuses on the fact that despite all the blessings one may have, when you don’t have someone to share them with it feels as if a piece of you is missing.

7)    Step Off
“Just keep climbing that mountain of dirty tricks. When you finally get to the top, step off, yeah”
“Step Off” is about interacting and dealing with negative people. The song isn’t necessarily about revenge but more about karma, and what will happen to someone when they reach the “top” and find they have no one else around them. Musgraves’ clever lyricism continues in this song, by not only telling someone to “step off” metaphorically, but also telling them to literally step off this mountain of negativity they have built around them. Not surprisingly, the song is slow but the banjo and guitar give it a happier, up beat feel.

8)    Back On the Map
“All this off the grid is getting old and my compass says I'm getting close. But I don't know, it's hard to read so I'll just keep moving”
This song is the only song on the album where Musgraves even remotely sounds like Taylor Swift. The stronger drum presence and more up beat melody give the song a slight pop feel. It is not hard to imagine this song playing on all sorts of radio, not just country stations. This pop influence is the only relation that Swift and Musgraves share. “Back On the Map” is honest and extremely relatable. It is about feeling lost, not knowing how you ended up where you are now, and hoping that someday soon you will get back “on the map” or back to yourself.

9)    Keep It to Yourself
“If you think that you still love me, put it on a shelf. If you're looking for someone make it someone else”
Musgraves has such a knack for writing honest and relatable songs. This song is about the pain that comes with a breakup and the conflict of wanting to talk to that person but knowing you shouldn’t. This isn’t a topic that is covered in many songs, but it is an extremely common emotion for many going through a break up. While this song is by no means up beat, it is faster paced than many of her others. “Keep It to Yourself” is written flawlessly and is my personal favorite song on the album.

10) Stupid
“I drink to feel, I smoke to breathe, just look at what loves done to me”
“Stupid” is a fun song to listen to with a deconstructed, grittier melody. It is one of Musgraves’ more intriguing and involved melodies. There is more to this song than just her clever lyrics. Don’t get me wrong though, her lyrics and the story still take center stage. Musgraves perfectly depicts the havoc that love can wreak on one’s life. Feeling stupid is a concept known to almost anyone who has had the pleasure and pain of being in love.

11) Follow Your Arrow
“You're damned if you do and you're damned if you don't. So you might as well just do whatever you want”
This song had become increasingly popular on the radio this past summer and fall, but it gained its infamy during the 2013 CMA Awards when it was thoroughly censored. While this song may sound country, the lyrics deal with issues that much of country music has neglected. Nevertheless, Musgraves deals with these issues in a fun, light-hearted way. Life is all about being who you are, because it’s too short not to make yourself happy. “Follow Your Arrow” has everything that a good country song should have: it’s fun to listen to and contains a great meaning behind it.

12) It Is What It Is
“Maybe I love you, maybe I'm just kind of bored, it is what it is. Till it ain't, anymore”
The final song on the album is the perfect wrap to Same Trailer Different Park. It is once again a simple, country song with a melancholy tone and brings the album full circle. Musgraves has said that Willie Nelson’s “Can I Sleep In Your Arms” inspired this song, and although “It Is What It Is’ is faster paced than Nelson's song, you can certainly hear the influence. This song serves as a reminder that you cannot control everything and you need to live in the moment, because soon enough the moment will change.


photo courtesy of NPR


In this day and age beautifully crafting lyrics is something that is falling to the wayside. Why put effort into lyrics when you can just cover bad ones up with a heavy bass and electronic beats? Kacey Musgraves is bringing this art back to the forefront of the music industry. Some may listen to Same Trailer Different Park and say that it is too simple, and possibly boring but they would be missing the entire point of the album. It is easy to make a song so thick with dance music that you can’t discern any meaning whatsoever. It is infinitely harder to create a song with merely lyrics, guitar and drums. Musgraves’ songs may be simple, but they are wonderful. Without the simple melodies we would not be able to appreciate the beauty of her lyrics and that is where the true artistry lies. Do not listen to Same Trailer Different Park if you are in the mood for a happy-go-lucky album. Listen to it when you are in need of a friend and for someone to understand you. Musgraves’ lyrics will fill your head and your heart with so much honesty and wisdom that they will become the best friend you never had.  

Thursday, November 7, 2013

At a Glance: The Highs and Lows of the 2013 CMAs


It was truly an incredible night for all of country music and incase you missed it here are the highlights. You are definitely going to want to YouTube these babies because they’re gems and really shouldn’t be missed!

·      Duck Dynasty’s twist on “Blurred Lines”
o   This needs no explanation; it is just as hilarious and bizarre as it sounds.

Willie Robertson "twerking" on Carrie Underwood
Photo courtesy of ABC 7

·      Keith Urban and Miranda Lambert’s “We Were Us” performance
o   These two were born to duet. Their voices meld together perfectly and sound even better live than they do on the radio.
·      Little Big Town’s “Sober” performance
o   Their music is so raw and beautiful that they don’t need any special effects. Their harmonies never cease to give me chills.
·      Brad Paisley and Carrie Underwood’s hilarious hosting
o   See overview in my blog post below. Bottom-line: They’re awesome!
·      Alan Jackson and George Strait honoring the late George Jones
o   Amazing to see two country music greats paying homage to one of country music’s most legendary artists.
·      Darius Rucker, Rascal Flatts and Jennifer Nettles honoring Kenny Rogers
o   Rucker nailed “The Gambler”, and Nettles makes a great stand in for Dolly Parton while singing “Islands in the Stream” with Rogers. It was a nice way to honor the Willie Nelson Lifetime Achievement Award Winner.

Photo courtesy of Taste of Country

·      Both of Luke Bryan’s performances
o   Bryan set the tone for the rest of the rockin’ evening in his opening number with Florida Georgia Line. Later on in the show, Bryan got much more serious, singing “Drink A Beer” in tribute to his late brother and sister . Better have the tissues on hand before you watch this one! 
·      Eric Church’s performance of “The Outsiders”
o   Church did was he does best: kicking ass, taking names and melting faces with his outstanding performance of his latest song.
·      Zac Brown Band and Dave Grohl perform “Day for the Dead”
o   It’s always cool when musicians from different genres come together. Zac Brown Band puts on an amazing performance as it is but when Grohl’s incredible drum solos are added it becomes magic!

No awards show is without their blunders, however, and the CMAs were no exception. Here are the less than awesome parts of the night:
·      Carrie Underwood’s wardrobe
o   Underwood is a seriously gorgeous girl, I mean did you see those legs?! But a few of her outfits left me gaping at the screen thinking “Why Carrie? Why?” The worst was definitely her first outfit, which had awkward fabric side burns (for lack of a better description) at the bottom and bronze chainmail accents that made the incredibly fit artist look heavier in certain areas.

Photo courtesy of Hollywood Life

·      Jason Mraz forgetting the lyrics
o   Singing while moving through the crowd and performing to a camera can be tough work, and while Hunter Hayes managed just fine, Jason Mraz did not. There was an incredibly awkward moment when Mraz came out of his dressing room to meet up with Hayes and either forgot the lyrics entirely or had no idea where they were in the song. Hayes helped his buddy out and the two were able to recover, but Mraz’s blunder was far from inconspicuous.
·      Darius Rucker assigned to feud with Julianne Hough
o   As a part of Paisley and Underwood’s opening act they assigned stars in the audience someone to “feud” with. It was all good and fun until Darius Rucker was assigned Julianne Hough. This particular match-up was uncomfortable due to recent controversy over Hough’s choice of Halloween costume. Rucker was confused but played it off well, high fiving and laughing with those around him.


The Winners! 
- Entertainer of the Year: George Strait
- Male Vocalist of the Year: Blake Shelton
- Female Vocalist of the Year: Miranda Lambert
- Vocal Group of the Year: Little Big Town
- Album of the Year: Based on a True Story, Blake Shelton, Scott Hendricks (producer)
- New Artist of the Year: Kacey Musgraves
- Vocal Duo of the Year: Florida Georgia Line
- Song of the Year: "I Drive Your Truck," Jessi Alexander, Connie Harrington and Jimmy
Yeary
- Single of the Year: "Cruise," Florida Georgia Line, Joey Moi (producer)
- Musical Event: "Highway Don't Care," Tim McGraw with Taylor Swift and Keith Urban
- Music Video: "Highway Don't Care," McGraw, Swift, Urban and Shane Drake (director)
Musician: Mac McAnally